Repairing Koko Tutu’s Hut


I haven’t posted my own poems in awhile, and I figured it might be nice to repost some of my older works so that you all can enjoy them. So following my most recent ‘Why Do I Write’ post, have a poem written during my summer mission trip to Kakamega, Kenya, originally published in the More Informed in October of 2010.

Repairing Koko Tutu’s Hut

soot shakes down on my face
like soft, dry rain
covering my sunburnt cheeks
until I am black as them
pulling down the ruined thatch
to replace her roof with fresh green
straw grass
as she replaces our meager work
with fresh, sweet bananas
from her own tree
and her neighbor’s as well
the children shout with cleverness and joy
kesho
you have made me long so achingly
for tomorrow

Acquisition Notice: The Wayfarer


My poetry was included in the inaugural issue of The Wayfarer from Homebound Publications, and now the next issue will include ‘The Forest’ and ‘Time in Africa’- both poems were written during my time in Kenya, on a missions trip back in the summer of 2010.

In honor of this, why not refer to my  ‘Why Do I Write’ soon about my poems regarding Africa? I’ll be updating within the next couple days with a ‘Part Two’ of why I write so much about my experiences in Kenya- this time, reflecting more closely to how my near-death experience there left a mark on my poetry.

Foreigners, You’re Welcome by Amber Koneval


A video reading of my poem ‘Foreigners, You’re Welcome’

Wageni mwakaribiswha translates to ‘Foreigners, You’re Welcome’, in case that isn’t clear.

This was one of the many poems I wrote in tribute to my mission trip to Kakamega, Kenya. I am still in contact with my ‘family’ over there. I think about them way more often than is healthy. This was written almost two years after returning stateside. I do still sing to myself in Swahili, if I’m not paying much attention to myself.

Shamala by Amber Koneval


If you want to talk about people
then you need to talk about
trees

eighteen trees line a fence
he said that they’ve grown
up to there
so tall the children crane their necks
to see where the leaves reach down
with branches thick and keen
for the touch of their clever fingers
resting on the bark
as if to say

I feel you
and I remember

water my tree from a well dug deep
in an old, dry pasture
by foreign tongues and skin as sensitive
as milk
and remember me
in the shade of the tree that knows
the feel of my cupped hands
down deep in its soil
its roots twisted thick
round my veins
and think of me
flowing

I wrote this after a particularly moving Skype conversation I had with Dr. Shamala of SAFI, the man who was my guide during my mission trip in Kenya. It was published here in the MOLT journal on April 25th.

Moving Past the Query Stage


Just got an e-mail back from a press that I submitted Wangu Mti to (full collection of all my poems from my mission trip to Kakamega, Kenya). They say they are ‘highly interested’ in the project through sample poems and have requested that I send the full manuscript to them.

I literally just pressed the send button on that e-mail.

Now to wait and see if the full volume is to their liking.

I really hope it is. Wangu Mti means a lot to me, and I have lots of plans for it when/if it ever gets published. (Sending copies to the village I visited, donating a third of the proceeds of each sale to the SAFI organization I went there with, presenting it to the ASB group who came with me at my church etc.) It’s really the one collection of poems I have that, if I had to choose only one collection of my poems to be published ever, that I would want published the most. If things don’t work out with this press I’m going to continue tirelessly sending queries regarding it to anyone who would even be remotely interested in something like it.

At least I now now that the poems in here are good enough to at least elicit a positive first response! Baby steps, people, that’s what all writers live for!

Jaqueline by Amber Koneval


your eyes are the clearest I’ve ever seen

piercing and safi

I wish you would look up more instead of

hiding those eyes with those long lashes

biting your fleece to hide your giggles

Why hide it?

little orphan child with the soft, soft voice

speaking broken, confused English

I want you to know how much

mimi nakupenda

and how much I wish I could give you

a mother

to replace the one you lost

take my hand and guide me, bebe

I wish I didn’t have to let go

Published in the More Informed (October 2010)

Why Do I Write: About Africa


So since I have finally accessed what I did and did not already publish from my collections pertaining to Africa, there’s going to be a random rain of those poems coming on the blog.

One of the questions I’ve been asked by peers in my poetry club is: you’re a middle class white girl. Why do you have so many poems that a) talk about Kenya b) have random Swahili in them c) generally reference a different continent.

Unlike other questions, this one has a pretty straightforward answer. The July of 2010, the summer right before I entered college, I went on a month-long mission trip to Kakamega, Kenya to plant trees, dig a new well, repair houses and learn about the lifestyles of native Kenyans.

I can say, without a doubt, that there has been not a single experience in my life that has affected me more than that one month.

I learned how to make a well, I learned enough Swahili to be equivalent to a Kenyan toddler, I got my butt handed to me in a soccer match with seven-year olds, I was stricken with typhoid and was pretty sure that I was going to die (I didn’t fully recover until another month into the school semester- welcome to college!). I made Facebook friends with young adults across the ocean, I became painfully aware and overwhelmingly appreciative of what I have, and I now sponsor a child in Kenya through Compassion because of my connection to that place (I hope to sponsor more when I have more financial stability and independence). I dream of Kenya more than anything else. One of my only solid life goals is to go back there, hopefully to visit both the friends I met and to meet my sponsor child, Kelvin, as soon as I graduate.

If one of the poems that I post about Kenya raises a question for you, or you need something translated, or you just want to hear the full story about it, feel free to comment and ask me about it. (I won’t do it on my own, just because I don’t want to clutter my blog with it if no one really feels inclined to hear it!) I’m more than happy to open up about anything you’d like to know about it.

The Welcome Song by Amber Koneval


Jambo, jambo bwana

is the clapping of the hands before we brake

is the scarf thrown about Shamala’s shoulders

the prodigal son is finally home

 

 

Habari gani, nzuri sana

is the singing at her grave over his sobs

English and Swahili mixed

part show, all pride

beautiful people who do not bow

 

 

Wageni, mwakaribishwa 

is the sweat on their faces

as our feet pound at the mud

children laughing at our attempts

 

 

Kenya yetu hakuna matata

In our Kenya, there are no worries

 

 

Published in the More Informed  (October 2010)

Updated: Publication Credits


So I’ve updated my page of publication credits (under the page ‘where to find me’) to reflect the articles and poems that were published through my local parish for local distribution. Today and within the next couple of days I will be putting up the poems that were published for you all to enjoy- they were poems that I wrote when I went for a month-long mission in Kenya.

I hope everyone is enjoying their winter break, and don’t forget to stop by my post about ‘My First Video’ and let me know which poem you would like to hear/see me read on a YouTube video!

 

Foreigners You are Welcome by Amber Koneval


Wageni mwakaribishwa

 in the name of the sugar cane

the thick banana trees pregnant with hard work,

watered with

sweat

and tears that fall from honey eyes

the whites stung with yellow by the

wasps of disease-

eyes that smile, nonetheless

as the stroke of the machete fells

years of sacrifice

just to give us a taste

of what they have

that is worth fighting for

 

 

 

Wageni mwakaribishwa

 in the name of the drying mud

pounded by the feet of children

who delight in the sight

of our pale moon skin

feet calloused to the rocks of the

unpaved roads they run

fleet as the gods of wind

just to give us a taste

of what they have

that is worth running for

 

 

 

Wageni mwakaribishwa

 in the name of the tasteless ugali

dipped and rolled in the juices of

a freshly slaughtered chicken

the blood of a dignity

that could rival ten thousand princes

held in the thin necks

and gnarled backs, warped with time

and the indifference of spineless nations-

at least they have the bones to

hold them up,

these simple village people with their

simple village joys;

and their bottomless hearts

and their borderless dreams:

these they show us

just to give us a taste

of what it’s like

to be worth dying for.

 

 

 

This was written as a response to the prompt “Write a poem that uses a line/lines in another language as it’s tie-in point, and go from there”.

For me, this is a poem that recalls the time I spent in Kenya, Africa, with the SAFI organization building wells and re-building huts for the local villagers. It’s been almost a year since I have been there, and I miss them more and more every month. It’s my dream to go back, for a longer period of time, as soon as I graduate.